The project is located in a building of early ‘900 in the historic centre of Carloforte in Sardinia. The renewal project for the summer house was developed into an articulated body that enhances the open and elongated plan with openings on both sides, as well as the double entry and the 3.60 meters high ceilings providing a flexible space for living. As a result, the small plan (68 sqm) can serve as two mini-apartments with independent access and services. The recovery of the open floor plan allowed natural light to enhance a dense pattern of deck beams previously hidden by a false ceiling. Finally, this pattern and the permeability to light became leitmotif of the intervention. In this scenario, the narrow, central area between the two entrances appeared to be especially critical and from there the project was developed around the themes of non-standard production, prefabrication, advanced digital design and digital fabrication.
Wood was the main protagonist of the project. This unfolds as a horizontal body that organizes space meeting functional needs without being their explicit utilitarian expression thanks to its four integrated organs: the hybrid furniture, the multifunctional furniture, the service module and the technical floor. The hybrid furniture is an articulated element that develops within the central area shifting shape from an open kitchen with built-in appliances to a entresol equipped with a queen size bed. Next, the multifunctional furniture serves as a wardrobe and a closet for several utilities and technical installations, while the service module contains two soundproof bathrooms with natural lighting. Finally, the technical floor houses the new MEP works. The hybrid furniture is entirely made of birch plywood. This material, also used for the construction of ultra-light aircraft, has significant structural qualities and its density makes it suitable for the production of precise constructional details. These qualities were exploited through a digital process becoming especially beneficial for the formal articulation of the piece and the development of a not conventional structural/construction logic. As a result, the hybrid furniture is a self-supporting system entirely made of interlocking components. The subdivision into parts, which was necessary to save material as well as for manufacturability and transportation related aspects, required special attention. A smart subdivision of the structural body was critical for the integrity of the whole. Accordingly, a system of self-locking joints was devised; this, together with a strategic assembly sequence, ensures the integrity of the whole, even without threaded fasteners. A large number of details were created ad hoc for this project. Among them, the multifunctional furniture features two hidden doors which serve as doors for the closet, and, when it is necessary, these become doors for the rooms as well. To enhance the spatiality of the intervention, doors uprights were removed, doors strikers were integrated into the side walls and custom fanlights were made with shaped transparent elements. The intervention creeps into the historical volume almost with no physical contact, but it establishes an operative, topological relationship with the pre-existing structures through materials and patterns.
The development of accurate prototypes has been a primary design instrument, as much as working closely with contractors assimilating their techniques and processes. As a result, ALO provided executive drawings ready for fabrication and assembly of all components of the entire intervention. The final result is therefore the expression of a synthesis between the figure of the designer, the manufacturer and constructor. Crossing the boundaries between disciplines was fostered by the advanced digital design strategies through which the project has become a continuous flow of data from design to fabrication. Space Organizer 01 is an entirely digitally fabricated, non-standard intervention and it takes the form of a large scale expression of digital craft, an area in which the designer, through a digital, holistic approach to design and fabrication, becomes the main actor also within the production phases, free from the constraints of mass production and in full control of project quality, even with limited budgets as in the case of Space Organizer